Brigitte Carnochan
MMImmigrating to America from Germany with her family at the age of six, Brigitte fell in love with ballet, hoping to pursue a career as a professional dancer. In the real world, she first became a high school teacher then a university English teacher, and later worked in university development. Photography is her third career. She began working seriously in the medium twelve year ago, using friends from her dance classes as models. She has remained a dancer: “Dance provides me with models as well as therapy.”

MMShe is also an avid gardener, which supplies her with many of her floral subjects. However, it is her hand coloring on traditional silver gelatin prints that she makes herself, that has captured the worldwide respect for her images. “Even though most people see the world in color, they do not see everything in the same exact colors. From an optical point of view, the colors we see depend on where we stand in relation to the object, where the sun is on the horizon, what color the walls are, or the tint of our glasses (or contact lenses), and so on. From a psychological point of view--everything depends on whether we are worried, elated, anxious, in love, lonely, distracted, or fully alert. For this reason, I often hand color my work, because the process allows me to interpret the essence of my subject according to my own imagination.”

MMBrigitte lives in Portola Valley, California, a town located in the coastal hills south of San Francisco. Her work has been exhibited in over two dozen individual and group shows across the country. Teaching workshops and giving university lectures has been a regular part of her life for the past decade. She is the recipient of numerous awards and is currently a board member of the Santa Fe Center for Photography.

Individual Exhibitions
Verve Gallery, Santa Fe, New Mexico - 2004
Albuquerque Museum, New Mexico – 2002, 03, 04
Modernbook | Gallery 494, Palo Alto, CA - 2002
Girlhood: The World Before Them: North American-Chilean Institute, Valparaiso, Chile 2001
Modernbook | Gallery 494, Palo Alto, CA 2001
Barry Singer Gallery: Fine Art Photographs, Petaluma, CA 1994-2001
Granary Gallery, Martha's Vineyard, MA, annual summer show 1997, 2001
The Photographer's Gallery, Palo Alto, CA 1997
Peter Fetterman Photographic Works of Art, Santa Monica, CA 1996
Stanford University Faculty Club, Stanford, CA 1996
Stanford University Law School, Stanford, CA 1995
Center for African & African American Culture, San Francisco, CA
Selected Group Exhibitions
The City. Stories About Riga, Latvian State Museum of Art - 1999
Brigitte Carnochan and Alison Shaw, Sandra Berler Fine Photographs, Washington, DC - 1999
Bow Wow: It's a Dog's Life, Bedford Gallery of Dean Lesher Arts Center, Walnut Creek, CA - 1998
The Female Gaze: Women Looking at Men, Institute of Contemporary Art, San Jose, CA -1997
A Room with Three Views, 1870 Gallery, Belmont, CA - 1996
Creating our Future, Mills College, Prieto Gallery, Oakland, CA - 1996
Unbound and Exposed, WCA, Works Gallery, San Jose, CA - 1995-6
Out of the Darkroom, WCA,, A Photographer's Gallery Palo Alto, CA - 1996
A Community of Artists, Center for Photographic Art, Carmel, CA 1994
The Transferred Image, Photographer's Gallery, Palo Alto, CA
Teaching & Lectures
The Photography Exhibit, Stanford University - 2002-2004
The Photography Project Workshop, Stanford University - 2000, 01, 03
The Painted Photograph, Stanford University - 1997-2000
The Infrared Figure, UC Santa Cruz workshop, with David Bayles, Ted Orland , and Saelon Renkes - 1997
Gallery Talk: Painting Photographs, Photographer's Gallery, Palo Alto - 1997-2000
The Infrared Figure, UC Santa Cruz workshop, with Bayles and Orland - 1997
Painting Photographs, San Francisco Art Institute, lecture - 1996, 1997
Photographing the Nude, Foothill College, lecture
Selected Published Monographs, Photographs, Reviews, Interviews & Awards
Rangefinder Magazine, interview and photo spread (forthcoming) - 2004
Polaroid International Photography PN 27, photo spread - 2004
Myth and the Natural World: Painted Photographs by Brigitte Carnochan, published by Sensu Publications, catalogue, 32 pp., November 2004
21st: Journal of Contemporary Photography, Vol. VI
(available: http://www.21stphotography.com/volumes.htm) - 2004
Organic Forms: Brigitte Carnochan, Handpainted Photographs, published by Albuquerque Museum, catalogue, 24 pp. June 2004
Hasselblad Forum Magazine, essay and photo spread - 2003
Hasselblad Master Award - 2002
Studija: Visual Arts, Riga Latvia, September/October, essay and photo spread - 2002
Camera Arts, December 2001-January 2002, essay and photo spread
Black & White, June 2001, interview and photo spread
Colors of the Imagination: Painted Flowers and Nudes, catalogue, 32 pp., introduction Wanda Corn, 1997
Catalogues available at galleries or through Amazon.com and Photo-Eye Books (505) 988-5152 www.photoeye.com
The Iris Gallery of Fine Art Photography
47 Railroad Street • Great Barrington, MA 01230
413 644 0045 • Thursday – Sunday Noon - 6:00
70 Charles St • Boston, MA 02114
617 895 8951 • Tuesday – Sunday 11 - 6